The Archive contains several pedagogical works for use in teaching and studying the playing of musical instruments. An example is Bartolomeo Campagnoli’s Nouvelle méthode de la mécanique progressive du jeu de violon:
Bartolomeo Campagnoli (1751-1827), an Italian violinist and composer born in Bologna, toured throughout Europe as a performer during the 1770s-1780s. Campagnoli worked on his Nouvelle méthode for violin while serving as music director at the court of the Duke of Courland, Dresden, 1779-1797, and as leader of the Gewandhaus Orchestra, Leipzig, 1797-1818. He completed the work in Hanover, where he settled in 1820 with his two daughters, who were pursuing careers as singers. Published in 1824, the Nouvelle méthode was dedicated to Prince Adolphus, then vice-regent of Hanover. Prince Adolphus (1774-1850), one of the younger sons of George III, became Duke of Cambridge in 1801, and served as vice-regent in Hanover from 1816, during the reigns of his brothers George IV and William IV, until his brother Ernest Augustus became King of Hanover in 1837.
The Archive contains three copies of this work: two unbound as issued by the publisher, and one in a royal binding, dated at Hanover, 1823. It is unclear why the date on the cover predates the publication date: possibly a copy was given early to a royal patron, or perhaps the date on the cover is incorrect.
Contents of the Nouvelle méthode are in five parts, covering the elements of music notation and violin technique, with progressive exercises.
These exercises, from part one, are in the form of duets for a student and teacher:
Explanations of performing technique are supplemented with illustrations:
Campagnoli achieved more lasting success with his pedagogical works than as a composer. His Nouvelle méthode for violin was published in Italian, English, and American editions. He remains best known for his 41 caprices for viola, op. 22, which are still in use by violists.